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Lee Konitz Live at the AQ (Artists' Quarter) What's New?



Uploaded by: donberryman
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Lee Konitz at the Artists' Quarter with Phil Aaron on piano, Chris Bates on Bass and Kenny Horst on Drums. June 15th, 2007 - What's New?


Tags for this video: aq Artists donberryman jazz Konitz Lee Quarter

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Thanks for posting ... ( 1 year ago by lpsling)
Thanks for posting this video. Lee Konitz is a beautiful player who actually improvises and what he comes up with is intuitive and has real conviction!!
Hey Don, it's ... ( 1 year ago by esboston)
Hey Don, it's Esmond, I see you at the AQ all the time. Great that you posted the video! What a great weekend with Konitz at the AQ. Konitz was a really nice guy, too. Go Jazz Police!
ne1 have any idea ... ( 1 year ago by JCBoxolada)
ne1 have any idea what mouthpiece/ligature/reed set up Lee might be using here? I'm pretty sure he uses a beechler mouthpiece.
he uses vandoren ... ( 1 year ago by abh1014)
he uses vandoren jumbo java
and why would any ... ( 11 months ago by rightboss)
and why would any of that matter? why does HIS setup matter to anyone but him?
well, if you're ... ( 10 months ago by JCBoxolada)
well, if you're trying to achieve a similar sound, one might figure out how the masters do it and then use that "blueprint" as a stepping stone for creating your own sound.. duh. LOL..
well, you clearly ... ( 10 months ago by rightboss)
well, you clearly dont know shit about the sax, or jazz for that matter. you buy 10 selmer super 80s. same year, same model. play each of them with the same mouthpiece setup and reed and theyll sound different! then theres the shape of your mouth and your oral cavity and even your lips. you will never sound like someone else. heres something to try instead - create your own sound?
Tell that to Rick ... ( 9 months ago by JCBoxolada)
Tell that to Rick Margitza then, or Vincent Herring, or Sonny Stitt.. although you do have a point.
and how many of ... ( 9 months ago by rightboss)
and how many of them are as renowned as coltrane or brecker or redman? none - they all had original sounds!
by "they" do you ... ( 9 months ago by JCBoxolada)
by "they" do you mean Coltrane, Brecker and Redman? or do you mean Margitza, Herring and Stitt? In all honesty I think Margitza, Herring and Sonny are all renowned in their own way. Just because they weren't seen on Ken Burns Jazz (said jokingly) doesn't mean that they aren't any good. God forbid you only listen to Coltrane and Brecker.
Actually i hardly ... ( 9 months ago by rightboss)
Actually i hardly ever listen to Coltrane any more.And yeah i listen to brecker and shorter, konitz, redman, courtney pine, sowetto kinch, rollins, parker, goodwin, dexter gordon, stavilia to name but a few! by them i meant your examples. they might be good but theyre not as "famous" they dont have the reputation that my examples do!
Tuve el privilegio ... ( 9 months ago by 320000alex)
Tuve el privilegio de verlo en M
álaga en el 2005, qué grande es, lo hace fácil.
rightsap, you sound ... ( 8 months ago by decus69)
rightsap, you sound like a real wanker. I bet your really crap at what you do. If someone is curious about something why dont you answer the question instead of giving them a hard time. I bet you can't answer the question? I met Soweto and he asked me about my set up , so whats the problem?
why do u want to ... ( 6 months ago by hitmanisback)
why do u want to sound similar to any 1 else thats not jazz duuuuuuuuuuuh
he's playing on my ... ( 3 months ago by saxmaster37)
he's playing on my teacher's horn
The funny thing ... ( 1 week ago by ghostofdolphy)
The funny thing about Jazz and the individuality of sound is that even if you DO imitate another artists conception or sound, you'll STILL sound like yourself! Because people will say, "he sounds like Bird, BUT" either too much vibrato, not enough, sounds like a machine/no soul, doesn't articulate quite right..you'll never get it. I believe that you can't escape *your* voice, but in pure imitation grown out of obsession with an artist...all you do is destroy the purity of your own voice.



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